Wagoner's Lad, The

DESCRIPTION: Young woman is courted by wagoner's lad. Her parents don't like him because he is poor; he tells her he is self-supporting and not ashamed. He tells her he is leaving; she asks him to linger with him, but he refuses. She laments women's hard fortune
AUTHOR: unknown
EARLIEST DATE: 1908 (collected by Olive Dame Campbell; in Sharp-EnglishFolkSongsFromSouthernAppalachians); +1907 (JAFL20)
KEYWORDS: courting love farewell parting dialog worker lyric rejection warning floatingverses
FOUND IN: US(Ap,MW,SE,So)
REFERENCES (31 citations):
Leach-TheBalladBook, pp.738-740, "The Wagoner's Lad" (2 texts, with the "A" text belonging here and the "B" text a composite of "Wagoner's Lad" and "Old Smokey" verses)
Randolph 740, "Texas Cowboy" (1 text, with much floating material but the plot seems to be here)
High-OldOldFolkSongs, pp. 22-23, "Fair U-Well-Lizza" (1 text, mostly this; the first verse might be something else but is so messed up that it's hard to tell what)
Brown/Belden/Hudson-FrankCBrownCollectionNCFolklore3 250, "The Wagoner's Lad" (3 texts plus 3 fragments; the texts "A"-"C" are "The Wagoner's Lad," and "D" has an associated verse, but "E" and "F" are fragments of a love song, perhaps "Farewell, Charming Nancy" or "Omie Wise," both of which have similar lyrics; "D" also shares this single verse, and "E" adds a "Troubled in Mind" chorus)
Brown/Schinhan-FrankCBrownCollectionNCFolklore5 250, "The Wagoner's Lad" (6 tunes plus text excerpts, five of which are probably "The Wagoner's Lad" but the "E" tune is someting else)
Chappell-FolkSongsOfRoanokeAndTheAlbermarle 42, "Lamkins" (1 text, apparently a fragment of Child #93 (containing only a threat of cannibalism) plus three "My Horses Ain't Hungry" stanzas)
Scarborough-ASongCatcherInSouthernMountains, pp. 272-282, "The Waggoner's Lad" (9 texts, 6 tunes on pp. 428-431, but the entry combines many songs; A (no title), B ("My Fortune's Been Bad"), and E ("My Horses Ain't Hungry") are extended versions of "The Wagoner's Lad"; C ("The Last Farewell") is a short text probably of "The Wagoner's Lad"; D ("Old Smokie") combined one "Smokey" verse with three "Wagoner's Lad" verses; "F" ("Old Smoky") is a very long "Old Smokey" text which seems to have gained parts of other songs; G ("A False Lying True Love") is "Old Smokey" minus the first verse; H ("I'll Build My Cabin on a Mountain So High" is "Old Smokey" with a first verse from a drunkard song and a final floating verse supplying the title; I (no title) is a fragment probably of "Old Smokey")
Abernethy-SinginTexas, pp. 44-45, "My Horses Ain't Hungry" (1 text, 1 tune)
Roberts-SangBranchSettlers, #17, "The Wagoner Boy" (1 text, 1 tune)
Sharp-EnglishFolkSongsFromSouthernAppalachians 117, "The Wagoner's Lad" (6 texts, 6 tunes)
Gentry/Smith-ASingerAmongSingers, #45, "The Waggoner's Boy (The Wagoner's Lad)" (1 text, 1 tune, probably mixed)
Cambiaire-EastTennesseeWestVirginiaMountainBallads, p. 37, "Loving Nancy" (1 text)
Wyman/Brockway-LonesomeSongs-KentuckyMountains-Vol1, p. 62, "Loving Nancy" (1 text, 1 tune)
Burton/Manning-EastTennesseeStateCollectionVol1, p. 79, "Pretty Polly" (1 text, 1 tune)
Hudson-FolkTunesFromMississippi 6, "The Wagoner Boy" (1 text, 1 tune)
Sandburg-TheAmericanSongbag, pp. 284-285, "Rabble Soldier" (1 text, 1 tune -- a strange version, probably composite, in which the wanderer is a "rabble soldier")
Stout-FolkloreFromIowa 34, p. 49, "The Wagoner's Lad" (1 fragment, probably this although it might be a "Rye Whiskey" excerpt)
Neely/Spargo-TalesAndSongsOfSouthernIllinois, pp. 243-244, "My Horses Ain't Hungry" (1 text, which is probably derived from this but ends with the girl leaving home to go with him)
Lunsford/Stringfield-30And1FolkSongsFromSouthernMountains, pp. 20-21, "I'm Goin' Back to Georgia" (1 text, 1 tune)
Lomax-FolkSongsOfNorthAmerica 112, "The Wagoner's Lad"; (1 text, 1 tune)
Dunson/Raim/Asch-AnthologyOfAmericanFolkMusic, p. 30 "The Wagoner's Lad" (1 text, 1 tune)
Fife/Fife-CowboyAndWesternSongs 6, "The Wagoner's Lad" (1 text, 1 tune); 83, "Old Paint" (3 texts, 1 tune, of which the "C" text appears actually to be a version of this piece or perhaps "Rye Whisky")
Chase-AmericanFolkTalesAndSongs, pp. 181-182, "The Wagoner's Lad" (1 text, 1 tune)
McNeil-SouthernMountainFolksong, p. 19, "(The Waggoner's Lad" (1 text)
Abrahams/Foss-AngloAmericanFolksongStyle, pp. 38-39, "Wagonner's Lad" (1 text)
Seeger-AmericanFavoriteBallads, p. 21, "My Horses Ain't Hungry" (1 text, 1 tune)
Silber/Silber-FolksingersWordbook, p. 171 "The Wagoner's Lad"; p. 174 "My Horses Ain't Hungry"; p. 186 "Hard Is The Fortune Of All Womankind" (3 texts)
Saffel-CowboyPoetry, pp. 211-213, "Jack o' Diamonds" (1 text; this particular Lomax offering contains elements of "Jack o Diamonds/Rye Whisky," "The Wagoner's Lad," The Rebel Soldier," and others)
NorthCarolinaFolkloreJournal, Lattye Eunice Arnold, "A Sketch and Two Songs," Vol. VI, No. 1 (Jul 1958), pp. 17-18, "My Horses Ain’t Hungry" (1 text, 1 tune)
NorthCarolinaFolkloreJournal, Charles W. Joyner, "The Repertory of Nancy Jones as a Mirror of Culture in Scotland County," Vol. XXI, No. 3 (Sep 1973), p. 92-93, "Farewell, my dear true love, I'll bid you adieu" (1 text, two verses that might be "Fare You Well, My Own True Love (The Storms Are on the Ocean, The False True Lover, The True Lover's Farewell, Red Rosy Bush, Turtle Dove)" or "Rye Whiskey" or "The Wagoner's Lad" or, frankly, almost anything; there is a mention of emigration)
DT, WAGONLAD* MOONSHI2*
ST R740 (Full)
Roud #414
RECORDINGS:
Dock Boggs, "Loving Nancy" (on Boggs3, BoggsCD1)
Acie Cargill, Debra Cowan, Kristina Olsen, "The Waggoner's Lad" (on HCargillFamily)
Vernon Dalhart, "My Horse's Ain't Hungry" [sic] (Edison 52077, 1927)
[G. B.] Grayson & [Henry] Whitter, "My Mind is to Marry" (unissued; on StuffDreams1)
Kelly Harrell, "My Horses Ain't Hungry" (Victor 20103, 1926; on KHarrell01)
Buell Kazee, "The Wagoner's Lad" (Brunswick 213B, 1928; Brunswick 437, 1930; on AAFM1) (on Kazee01)
Mr. & Mrs. John Sams, "Wagoner's Lad" (on MMOKCD)
Pete Seeger, "Fare You Well, Polly" (on PeteSeeger07, PeteSeeger07a);The Wagoner's Lad" (on PeteSeeger17)
CROSS-REFERENCES:
cf. "The Cuckoo" (floating lyrics)
cf. "Goodbye, Old Paint" (floating lyrics)
cf. "Rye Whiskey" (floating lyrics)
cf. "The Gambler (I)" (floating lyrics)
cf. "Oh Lily, Dear Lily" (floating lyrics)
cf. "The Lady's Case" (floating lyrics)
cf. "I Am a Young Maiden (If I Were a Blackbird)" (lyrics)
cf. "The Rebel Soldier" (floating lyrics)
cf. "The Rue and the Thyme (The Rose and the Thyme)" (floating lyrics)
cf. "Farewell, Sweet Mary"
cf. "Goodbye, Little Bonnie, Goodbye" (theme)
cf. "Moonshiner" (floating lyrics)
cf. "The Virginian Lover" (plot)
ALTERNATE TITLES:
An Inconstant Lover
I'm a Rambler, I'm a Gambler
The Rambling Gambler
NOTES [264 words]: This song, which barely qualifies as a ballad even in its full forms, has produced many non-ballad offspring, of which "On Top of Old Smokey" is the best known. Randolph apparently thinks his "Texas Cowboy" piece to be related but separate, but (based on his text) I would have to say they are the same.
It is very hard to tell certain versions of this from "Rye Whiskey"; the two have exchanged many verses. But the "core" versions seem to be distinct.
An even greater problem is posed by the relationship between this song and "On Top of Old Smoky." The two are occasionally listed as one song (e.g. by Leach); indeed, this was done in early versions of the Index. This was done under the influence of the Lomaxes, who classify the songs together.
Further study, however, seems to show that all versions which have common material are derived from the Lomaxes. The plots of the two songs are different, their tunes are distinct, and true cross-fertilization seems very rare. It would appear that the identification of the two is purely the result of the sort of editorial work the Lomaxes so often committed.
Due to this inconsistency, it is suggested that the reader check all versions of both songs, as well as both sets of cross-references, to find all related materials.
Another closely related song is "Farewell, Sweet Mary," as much as three-quarters of which may derive from this song. It has taken a slightly different direction, however, and is at least a distinct subfamily of this piece. Since it doesn't have anything about horses or wagoners, I list it separately. - RBW
Last updated in version 6.4
File: R740

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